Penis Enlargement: Various Methods of Enlarging the Penis (But Are They Safe)

Every man, no matter how well-endowed, has contemplated penis enlargement, in order to: increase length, pump up girth, eliminate the hook, or simply to smooth the shaft of unsightly veins. But the overwhelming majority decide against for reasons of practicality and lack of necessity, excluding the few fields where enhancement can further a career: male adult film star, college art class model or magnum condom tester.

The methods for achieving growth vary tremendously, but very little scientific research has been done on penis enlargement. This lack of study is downright shocking, considering the amount of man hours (4,266,708 – we’ll show you the math) that have been spent looking and wondering if our members could be improved. One more disappointing fact is that most techniques result in a mere 1-2 inch gain, which hardly seems worth it. If you are going to put your prize possession under the knife (or invest in other methods), you’d like to see more than cosmetic changes; something akin to a John Holmes-esque result. The various enhancement methods can be grouped into the following categories:

Surgeries

Male enhancement surgery can involve the implant of various materials, including silicone and the stimulant drug PMMA. Urologists have also started recommending cadaver flesh, which supposedly leads to less scarring and complications, excluding the obvious psychological boundary of carrying a dead man’s member. Thai physicians, coming from the world capital of penis enlargement surgery, have gone to such bizarre lengths as inserting less recommended materials, such as olive oil or crumpled yellow pages into unsuspecting patients. Another operative method exists that doesn’t involve implants. Approximately one-third to one-half of the penis is inside the body, which seems like a terrible waste of space. I already have something jangling about my inner thighs, so if I’m stuck with an unsightly appendage bobbing to and fro, I might as well make it an impressive one. Getting in touch with your ‘inner penis’ is as easy as cutting the suspensory ligament holding your better half inside of you. The shaft will drop forward and extend out, with especially good results for fat people, which is one minor positive for gross obesity. Many may ask if this technique can be accomplished without surgery, simply by pulling on your penis enough. Serial masturbators answer this with a firm no – the ligament is too strong for your puny hands. Straining and even bruising are possible, but detaching the ligament from self-stimulation is not.

Optical Illusions

People can make cosmetic changes to make the penis appear bigger, like losing weight, shaving the pubic hair, adjusting the lighting, bringing a magnifying glass into the bedroom, or subtly substituting your member for an enlarged rubber version when she looks away. Having filmed myself numerous times, I can also state with confidence that everything looks bigger on film.

Vitamin supplements, patches, tools

The largest advertising budget award in the penis enlargement world goes to the pills and promises that routinely make it through the hardiest anti-spam filters. If I had a millimeter for every enlargement ad I’ve received, I could use my penis as an actual third leg. There is wide agreement that pills provide no benefit, other than supplementing your daily sugar intake. Further, pills advertised as ‘all-natural’ or ‘herbal’ have been found to have an extremely high level of fecal contamination. And feces in any form does not lead to penis growth. Penis pumps are remarkably popular, having been joked about on television for decades. A traditional pump will fit a suction device (a ring) around the base, and a squeeze handle will vacuum out the air inside the cylinder. The vacuum lets the blood flow into the penis, but not out. Penis pump makers insist that repeated exercise will increase the total size, but warn that you should read instructions carefully. Slapping on a pump and squeezing away can lead to nerve damage and unwanted cell explosions. Recently, companies have also started rolling out ‘penis patches’, along with a significant amount of pseudo-medical literature testifying to the patch’s effectiveness. From insider knowledge of clinical studies, we can affirmatively state that the patch will not increase your size, but you may find your penis willing to give up smoking. Many may see a temporary gain, but the jury is out on pump effectiveness for long-term growth. If the pump does not meet your standards, and the maker does not offer a satisfaction guarantee, the pump can be modified to clear clogged sinks.

Hanging and Jelqing

Hanging is an ancient tradition of attaching a weight to your penis just behind the glans, then trying to do lifting repetitions. If you choose this method, just like in a weight room, be careful to start off light and work your way up to the max. Also, consider higher reps …

The Art of India – Early Indian Sculptures – An Affair With Creative Finesse

India is known not only for her rich heritage, history, and culture, but also for some of its oldest and finest sculptures in the world. The first Early Indian sculptures date back to the Indus Valley Civilization that existed in the second and third millennium. This civilization produced numerous stone, terra cotta, & bronze sculptures that are tour de force. In the third century BC, Mauryan Emperor Ashoka, in an attempt to spread Buddhism in the country, built some 85,000 stupas (dome shaped monuments), with their pillars having Buddhist teachings engraved. “The Great Sanchi Stupa” at Sanchi, is forty-four feet high, with remarkably carved gateways, illustrating Buddhist legends, and “The Ashoka Pillar” at Sarnath in Madhya Pradesh, are flawless models ascertaining the superiority and the finesse of the Early Art of India since its inception.

By the fourth, fifth, and sixth centuries AD, a new epoch in Early Indian Sculpture surfaced. Sculptures of Hindu deities, such as Lord Vishnu, Shiva, Krishna, the Sun God, and Goddess Durga, were crafted in profuse numbers, as Hinduism became the official religion of India. A huge sculpture of “Lord Shiva” incarnated as a wild boar saving mother earth is carved at “The Udaigiri Caves” in Madhya Pradesh. Sixth century in India, witnessed the mastery in cave architecture. “The Elephanta Caves” in Maharashtra is an exemplary of the competent artisanship. A twenty-foot high sculpture of “Lord Shiva” in these caves, with three heads personifying his fierce, feminine, and meditative facets, is another spectacular piece of Art of India.

Sculptures at Khajuraho Temples, created in tenth to eleventh century AD, went to oblivion, until archeologists rediscovered the lost treasures of this unperturbed town in Madhya Pradesh that housed 85 temples, of which only 22 endured. The sculptures of this period depict Gods, Goddesses, and animals, made primarily of sandstone, with an underlying theme, symbolizing the eternal bond between male and female gender. Khajuraho Sculptures are the most sensuous, erotic, and aesthetic sculptures known to the world.

The famous “Buddhist marvels,” created over a span of fourteen centuries, and “The Ajanta & Ellora Temples,” are the other relics of fantabulous Art of India. “The Ajanta & Ellora” temples are carved out of live rocks & cliffs, and boast of the colossal sculptures of animals & Gods, paintings depicting the ancient life, and Buddhist fables, with numerous Buddha images. The most magnificent and striking creation at the Ellora is the “Kailasa Temple,” a breathtaking depiction of Lord Shiva’s abode, flanked by elephants, ornately carved out of big rocks. “The Sun Temple of Konark,” “The Arjuna’s Penance” at Mammallapuram, and the temples of “Kanchipuram,” “Madurai,” “Rameshwaram,” “Amravati,” “Nagarjunakonda,” and “Varanasi” house several impressive and magnificent sculptures.



Source by Annette Labedzki

What is SEO Article Writing? – SEO Copywriting Explained

Many freelancers have questions about what is SEO; what is SEO copywriting; what is SEO writing. This article explains – in detail – what this is. And, how to make money from it as a freelance writer.

What is SEO?

SEO is an acronym for the phrase “search engine optimization.” Search engine optimization is all about doing specific things to your website to drive more traffic to it so that you can increase online sales – and traffic.

What are some of these “things?”

There are many, but here we will discuss what it is as it applies to freelance writers. And, this means writing text in a certain way so that web surfers (ie, internet users) can land on a particular site.

What is SEO As It Relates to Freelance Writers?

What freelance writers need to be concerned with is keywords. What are keywords? Keywords are the words and phrases that web surfers type in when they search for things online.

For example, let’s say you were interested in starting a foreclosure cleanup business. You may not know anything about it other than foreclosures are hot in the news right now and you are interested in starting this kind of company.

So, you log onto your favorite search engine, (eg, Google, Yahoo! MSN, etc.) and type in the keywords “foreclosure cleaning business” or “foreclosure cleaning” or “foreclosure cleanup” or some other relevant keyword phrase.

Note: When you type words into a search engine to find something on the internet, the words you type in are called a keyword (one word) or a keyword phrase (two or more words with commas in between).

How Businesses Get to the Top of Search Engine Results

When you type in these words and hit “ENTER”, a bunch of sites pop up and you start to surf (ie, click on the results) and start investigating the sites to see if they have the information you need.

The sites that pop up are the results that search engines like Google, Yahoo, MSN, et al think are the most relevant to the keyword phrase (aka search phrase) you typed in. Companies pay a lot of money to be among the first two or three pages in the results that search engines return.

Why SEO Copywriters are So In Demand and How They Make Their Money

One of the ways they get to pop up in the first two or three pages of results is to have relevant text that contains the proper keyword phrases. And, this is where you as an SEO copywriter can make a lot of money. You write the text that their site needs to pop up high in search engine results.

Many times, companies will simply give you a bunch of keyword phrases and let you write what you want — as long as it’s a certain length (usually 300-500 words).

There are many freelance writers – hundreds of thousands, if not a few million. BUT, only a tiny minority know what SEO is and how to write this type of copy. And, this is why they’re so in demand.

SEO copywriters have an in-demand skill. And, as more and more companies move larger portions of their advertising budgets to internet marketing, there is an even greater demand for their skills.

In the SearcheEngineWatch article, The SEO Copywriter: Wordsmithing the Web, William Flaiz, underscores the importance of an SEO copywriter. He writes:

“The role of the agency SEO copywriter is unique because…. Suddenly, the writer must optimize press releases, craft articles for social news, monitor social network communications, and develop wiki content…. a strong SEO copywriter is adaptable and capable of internalizing a lot of new information extremely quickly. These unique individuals have fast become the backbone of many SEO engagements. If content is king, then they [SEO copywriters] are the kingmakers.”

And this is why SEO copywriters can charge a premium for their services. If you’re looking for a way to start or maximize your income as an online freelance writer, then SEO copywriting is they way to go.



Source by Yuwanda Black

The Intersection of "The Jam Part I – A History of Rock and Roll" Pointillism Artwork and Motorcycle

The home of Canadian pen and ink artist Michael Keirstead has echoed a rhythmic ratta-at-tat for most of the past two decades; the delicate tapping succumbing to the occasional four stroke chrome-clad roar from the garage. Naturally, the neighbours appreciated the substantial musical accompaniment and the constant buzz of conversation and laughter from the ever-present family and friends!

In this household, everyone is drawn to the ratta-tat-tat from the Art Studio, and the driveway served a continual stream of 2-wheeled traffic. The Art Studio is where it all went down. You see, while the rest of us were tinkering with our motorycyles and doing that 9-5 thing, Mike was busy in his studio with an additional passion: the dotting. Ratta-tat-tat.

This crazy guy came up with the idea to mastermind a drawing, which would bring together the faces of over one hundred of the most influential contemporary musicians and chronicle the evolution of rock music. However, it was not to be simply be a drawing, “The Jam” would be a HUGE drawing: four feet high and eight feet wide. Big enough to make a piece of plywood shake in its boots. Mike was to spend months selecting which musicians to include and where to place them relative to one another so that a story would be told.

“The Jam” followed Buddy Holly and Elvis through to Motown, Folk, the British Invasion, Heavy Metal, and Punk, including classics such as The Stones, Doors, and Beatles. Mike soon discovered that a task of this scope would not be completed in a single summer, especially because the gargantuan masterpiece he envisioned would not be a sketch, but a stipple: a pointillism, comprised of little dots made with a black ink pen.

Ratta-tat-tat is the sound his pen made as it contacted the canvas. Ratta-tat-tat is the sound the tunes muffled when they were cranked. Ratta-tat-tat was the only sound that could be heard late into the afternoons when Mike worked in solitude, hoping his vision would one day be complete. Each little dot worked with each other little dot to create the shading and form which fools the eye into seeing a picture. The farther apart the dots are, the lighter the tones; the closer together the dots are, the darker the tones. The project, begun in 1979, took him eight years and would have driven him mad if not for his motorcycle.

You see, Mike was working on another project; rebuilding a 1973 Triumph Daytona 500 to have a customized tank, six-foot forks, dazzling chrome, and a luscious Springer front end. The Triumph also made a ratta-tat-tat sound (oops!), but he was hoping for a purr, a humm and was willing to put in the effort and elbow grease and learn more about bikes in the process. Speaking with Mike about it now, he says that the detail of rebuilding and customizing his Triumph ran parallel to the attention to detail that was required to complete the faces on “The Jam”.

As each bolt was chromed, the bike would slowly come together much the same way as with each completed face the artwork would come together. At times when the artwork seemed too painstakingly slow, it was refreshing to do something physical with his body: welding, lifting, sweating, getting dirty, using his mind for something 3D, instead of sitting still dotting, getting a hand cramp, being ultra clean and not smudging, and working in two dimensions. Mike would dot for a while then build his Triumph for a while, then dot, then go for a spin on his rigid 1978 Shovelhead.

Towards the end of that eight year dotting period, after numerous bolts were taken down the road for re-chroming, the finished Triumph was given its reins and Mike was finally able to take her for those re-energizing rides he needed so much. The theory was, if the chopper could be finished, so could “The Jam”: Mike was spurred on, but there was a nagging thought in his head, is your custom classic bike ever really completed? Isn’t there always more tinkering to do?

This same conflict is what Mike was up against with his artwork, too. There were far too many talented musicians to recognize than could possibly fit into “The Jam”. Rock music had not stood still and exciting bands were emerging all over the place. The canvas was full, but the story of rock was incomplete. There was only one solution: “The Jam” would have to become part of a series of artworks, its full name would be “The Jam Part I – A History” and Michael would eventually have to stipple a “Part II”.

In 1986 “The Jam Part I – A History” was finished and Mike sold many thousands of the poster-sized versions and 300 original sized …

Beginner Guitar Books Vs. Video Guitar Lessons For Learning Guitar From Home

When you decide on learning to play the guitar and becoming a self taught guitarist, you need to take into careful consideration the method through which you will teach yourself to play the guitar. The most popular ways of learning the guitar from home are through books, and through video lessons.

Beginner Guitar Books

There are literally hundreds of guitar learning books to choose from. The most popular ones have had several editions since first publishing, with improvements and refinements coming with each new edition. The most useful guitar books will have supplemental CDs and DVDs, making the learning experience interactive.

Pros of Guitar Books

  • The book is always available, you don’t need an internet connection or a DVD player, just your guitar to start learning.
  • Well written guitar books for beginners will have a structured flow of lessons.

Cons of Guitar Books

  • It is hard to really learn music from books as a beginner, since you can’t hear what you should be playing right away. This is somewhat offset by books which have supplemental CDs.
  • Pictures are a must in all guitar learning books, but the fact that you can’t see the instructors hand move along the fretboard, form chords, etc., is a huge downside.
  • No personal feedback to the student.

Video Guitar Lessons

Learning from online video lessons or DVD courses is considered by many, to be the next best thing to having a private teacher.

Pros of Video Guitar Tutorials

  • Video is multimedia, meaning you get a chance to hear what you should be playing, and also see the required hand movements.
  • Videos where an instructor explains the material and demonstrates what should be played is more exciting that reading about it.
  • Quality online guitar lesson websites offer personal feedback.

Cons of Video Lessons

  • You are confined to using videos only when the technical equipment is available to you (PC, DVD player).
  • Many people are tempted on learning from random free online lessons, which usually results in an unstructured method of learning.

All in all, deciding on the learning method is up to you and your available resources, the few dollars spent on getting a structured study course will be beneficial either way.



Source by Tom Fontana

Top 1% of THREE MLM Companies! The Daniel K. Song Interview

Advancing to the top 1% of any MLM opportunity is quite a challenge, choosing to start all over with a new company and doing it again is absolutely astounding.

After taking a break from Network Marketing for almost a year… What Daniel K. Song plans to do next may be his toughest challenge; not only does he plan to do it again with a new, rather large company, he is going to do while working a full-time job! Why? To prove to you that it CAN be done.

It is said that in order to have success in network marketing you need to truly master one skill. Whether it is presenting, closing, encouragement, or (for the internet world) copywriting, SEO or social networking, it’s incredibly important to identify your talent and “run” with it.

Daniel K. Song has mastered the incredibly lucrative art of Team-Building: The branding of a culture and system of duplicating distributors that completely trust his leadership. He is an example of the power traditional network marketing methods have on those that can obtain this skill.

During this incredibly hectic time, I had a chance to meet up with him and I want to invite you to take a look at our conversation in hopes that you may gain some value from a true MLM guru.

* Disclaimer: Soomin-Kim.com does not encourage “opportunity jumping,” however the story of Daniel K. Song is a testimony to the power of the network marketing opportunity and reiterates our belief that people choose leaders before choosing a company. In other words, we believe that in the beginning, people are buying YOU; not your products nor compensation plan.

sK: I’m just going to start with the basics…how long have you been involved in Network Marketing?

Daniel: I’ve been a part of the Network Marketing Industry now for almost 7 years. The majority of which has been full time…I started back in May of 2003 as I was preparing to graduate from Art Center College of Design in Pasadena. I’ve been part of The Health and Wellness Industry for all of the 7 years I’ve marketed. It wasn’t until this past year that I decided to take on two separate career paths; one as a designer & marketing manager, and the other as a network marketer (again).

sK: So what’s your age at the moment… you still seem like a kid to me.

Daniel: I’m 29, look 20, and probably act more like I’m 12… I enjoy being a “kid,” life was much more enjoyable when you were a kid. I envy the innocence, simplicity and pureness of a child’s actions, choices, and thoughts… although getting carded for ‘R’ rated movies at almost 30 is a bit annoying.

sK: I hear you brotha, I’m 31 and I get carded everywhere too! I’m guessing it’s an Asian thing. Prior to more serious matters…anyone that knows you, knows that you love cars… how many different cars have you owned?

Daniel: Umm… to date? I’ve owned (9) cars in the past (8) years… I started in network marketing with a Honda Civic that I bought in high school. The first car I bought “through” network marketing was a 1993 Acura NSX (which was my dream car growing up as a kid)… That NSX was then followed up with a: 2002 BMW 325i, 2004 Infiniti G35 coupe, 2005 Lotus Elise, 1997 Acura NSX-T, 2008 Honda Element SC, 2008 Lexus GS350, 2004 Honda s2000, and now a 2010 BMW 335i… I think that’s it… I really enjoy cars.

sK:…uhh yea you think?

Daniel: I mean, considering that I don’t have any other real vices (like drinking, smoking, or partying) this is my only real vice. I just hope my future wife-to-be can still love me for it.

Vice: Daniel’s custom Acura NSX – His “dream” car prior to network marketing.

sK: As long as she’s driving what she wants… you’ll be ok. Where are you currently living now?

Daniel: I currently live in the Newport, California. I used to be in Rowland Heights and Diamond Bar most of my life, but moved out to Orange County about (2) years ago because my brother wanted to be closer to work… and since I work from home, location really didn’t matter much to me. It’s definitely a nice area.

sK: Before I forget, on a serious note, I appreciate you taking some time out of your schedule to chat, with that being said… let’s just get down to it…WHERE THE HECK HAVE YOU BEEN!?

Daniel: Not a problem. Sorry it’s taken this long to finally sit down to have this conversation! Where have I been?! Haha…. Let’s just say I took about a year off to “reinvent myself” if you will.

sK: Reinvent? Like Madonna? What’s there to reinvent?

Daniel: …

Beginner Guitar Lesson – How to Play Wild Thing

A great song for a beginner to play

The version of “Wild Thing” by the Troggs is an excellent first song for someone interested in starting to play the guitar. The song only has 3 chords, and they are usually some of the first chords a beginner guitar student would learn. The chords are A, D, and E. Also, we will implement an easy strumming pattern, so you can sound pretty good early on. Later, as you become more advanced, fancy strumming patterns will really impress those who listen to you play.

It was a big hit many years ago

Back in 1966, “Wild Thing” made it to number 1 on the Billboard Hot 100 in the U. S. It also reached number 2 in Britain. Rolling Stone magazine listed “Wild Thing” as number 257 on it’s list of the 500 Greatest Songs of All Time. The song certainly is fun to listen to, and makes a great beginner guitar lesson. It has been covered by many artists, including Jimi Hendrix, who gave an amazing performance of the song at the Monterey Pop Festival in 1967. Even if this song isn’t your style, it can be an excellent song to begin your guitar playing career with.

Learning about the guitar

As your holding a guitar, the lowest sounding string, the sixth string is located on the top. The next string down is the fifth string, and so on. Eventually you will get to the bottom string, which is the first string. Its also the thinnest and highest sounding string. The open sixth string is an E. The open fifth string is an A. The open fourth string is a D. The open third string is a G. The open second string is a B, and the open first string is an E.

The frets are the individual squares on the guitar fretboard. This is where you place your fingers when playing the guitar. A good place to start is the fret closest to the top of the guitar. This is called the first fret. There are dots located on the guitar fretboard. Each one represents different frets on the guitar. The first dot is on the 3rd fret, the second one is on the 5th fret, the third dot is on the 7th fret, and so on. Most guitars will have these dots.

Finger numbers

Just like the strings and frets on the guitar, we also assign a number to the various fingers of the left hand. The first, or pointer finger is number one. The middle finger is number two. The third finger, or ring finger is number three, and the pinky is number four. It is important to know finger numbers to properly place your fingers on the guitar.

How to play the chords

“Wild Thing” only has three chords. They are A, D, and E. The A chord is formed by placing your first finger on the fourth string, second fret. Your middle finger on the third string, second fret, and your ring finger on the second string, second fret.

The D chord is formed by placing your first finger on the third string, second fret. Your ring finger on the second string, third fret, and your middle finger on the first string, second fret.

The E chord is formed by placing your middle finger on the fifth string, second fret. Your ring finger on the fourth string, second fret, and your first finger on the third string, first fret.

The strumming pattern

Because this is a beginner guitar lesson, we will incorporate a simple strumming pattern for “Wild Thing”. The intro has three chords. The A, D, and E.

1. Strum the A chord twice. Strum it straight down from the fifth string.

2. Strum the D chord twice. Strum is straight down from the fourth string.

3. Strum the E chord six times total. Strum it four times, then a slight pause, and strum it two more times. Strum all the strings when playing an E chord.

The verses contain the chords A, D, E, and D again. For simplistic purposes, strum each chord twice, straight down. Remember to start your strumming on the proper string, or you will get some strange sounds. There is another part of the song with the chords GAGA each strummed one time.

If possible, listen to the original recording to get a feel for the timing of the song. If you are a beginner, not everything is going to sound the way you want it. Playing guitar is not easy, especially early on. Keep practicing, and in time, you will start to sound like a pro.



Source by Gary E Kerkow

Sealing and Varnishing Watercolor Paintings Done on Canvas

Sealing and Varnishing Your Work

You have two choices when you paint in watercolors on an alternate support such as clayboard or watercolor canvas: you can frame behind glass as with a traditional watercolor, taking the same precautions that the painting itself does not come into direct contact with the glass and that there is a space between the artwork and the glass or you can seal your work and frame as an oil or acrylic painting. Because paint lifts so easily off of these surfaces, for my part, I feel safest sealing and varnishing.

The later definitely has some advantage. If you paint on large surfaces, a matted painting framed behind glass can be an expensive purchase and a heavy one for hanging. Some artists have remarked that paintings on the larger sized watercolor canvas sealed and varnished sell better because of they are easier to frame and the frames, lighter without the glass. There is a school of thought that also recognizes the fact that oils sell at higher prices than watercolors. Perhaps it’s the long tradition of oil painting that adds a certain mystique to the works. Or perhaps it is the advantage of being able to frame without glass. Victorian watercolorists took great pains using bodycolor and gum arabic to “heighten” a painting to make it look like an oil in order to get higher prices for their work. For me, I looked at framing without glass as a means to transport works easier for shows, to say nothing of it being safer.

I experimented with several different approaches to come up with a sealing method that I use now. Now I must say that I like a glossy finish, so the products I mention are all about accomplishing this goal. For clayboard and canvas paintings, I first begin with the clayboard fixative. I use about three coats, allowing ample time to dry between coats. After this, I use the Krylon Triple-Thick Clear Glaze. The “triple-thick” refers to the fact that one coat of this product equals three coats of other clear acrylic fixatives. I will apply at least two coats until I achieve the finish I’m after. I follow this with a UV resistant varnish, also by Krylon. I typically will spray six thin coats to complete the process. There are a couple of things to bear in mind when doing this: first of all, make sure you have a big space that is covered to do the actual spraying. Make sure nothing is near by that may get a bit of the spray. You will want to take off your glasses, if you wear them. Found that out the hard way. Make sure the room is well-ventilated. There will be lots of spraying going on, so be sure and take that precaution.

Another approach is recommended by Golden for varnishing acrylics. This method requires an isolation layer so that this layer would protect the acrylic should the varnish need to be removed. The isolation layer is the Golden soft gel gloss, mixed two parts gel to one part water and brushed on. I applied this layer onto watercolor canvas. Despite being the glossy finish, it wasn’t as glossy as I liked, but maybe if you’re looking for more of a matte finish, you may appreciate the look. I didn’t like applying this with a brush either. The mix is quite watery and brushes easily, but I preferred spraying. This layer is followed up by the MSA Archival Varnish. For prints, this is up to eight thin layers. I do at least six layers for paintings and prints. It’s an easy precaution to take to protect your work. Since I’ve used the MSA Archival Varnish for prints, I have now taken to use it instead of the Krylon varnish.

I have tried both of these approaches with watercolor works on paper. I mounted the work on matboard before beginning. I can’t say I was happy at all with the results and will just still to using this for alternate supports. The nice thing about varnishing your works is that you get a really nice looking product when you’re done. I find the gloss finish really adds a lot and the painting looks like the watercolor when the paints were first applied, juicy and wet.



Source by Chris Dinesen Rogers

The Rolling Stones Music – A Short History

The Rolling Stones is one of the most popular rock band in history. They are an English rock band that was started in April of 1962. It was founded by Brian Jones (guitar and harmonica), Mick Jagger (vocalist), Keith Richards (guitar), and Ian Stewart (pianist). During their early years, the band was content with playing rhythm and blues music and cover songs of mostly American hit rock songs. They only started to get fame when they started writing their own songs, reinventing themselves as a true rock and roll band and launching the Rolling Stones music generations of fans have learned to enjoy.

The band’s early history.

Mick Jagger and Keith Richards were friends way back in the 1950s and they shared the same passion for rock music especially for Chuck Berry and Muddy Waters music. They soon met with Brian Jones, Ian Stewart, and Charlie Watts. The group then decided to play blues music together and would practice with the intention of starting their own rhythm and blues band.

Muddy Waters had a clear influence on the band, not only with the Rolling Stones music, but most especially with their names. As claimed by Keith Richards, it was Brian Jones who thought of the band’s name. Jones was on the phone placing an advertisement for the band on a magazine. When he was asked what was the name of the band, Jones noticed the Muddy Waters LP near him and picked the song “Rolling Stone”.

Two major forces contributed to the early success of the Rolling Stones. The first one is the stepping in of Andrew Loog Oldham as the band’s manager and producer in 1963. He was credited for giving the band its bad boy image as a complete reversal of the good boy image of The Beatles who were enjoying tremendous success in the 60s.

He also got the band’s first record deal with Decca Records who gave them favorable terms. It was said because of the guilt that the executives of Decca felt at that time for passing on The Beatles. As a result, the Rolling Stones got better royalty rates and more artistic freedom for their songs and albums.

The second great thing that worked to the advantage of the Rolling Stones was the Mick Jagger and Keith Richards songwriting collaboration. It was in a way to imitate the success met with the Lennon/McCartney songwriting duo. It also paved the way for the band to graduate into becoming a band that plays its own songs as to what they were previously doing, just covering songs.

There have been many changes in the line up of the band, but the most prominent was the departure of Brian Jones, considered by many as the true founder of the Rolling Stones. Jones died in 1969 due to drowning.

There is more to the history of the band, but just like with any other rock and roll group, oftentimes it is its early years that are deemed most important. Because it was the era when the Rolling Stones music was forged, developed, and the fans continued to love and enjoy.



Source by Missy Ray

The Advantages And Disadvantages of T-Shirt Printing

There are a couple of popular methods of t-shirt printing and all the methods have their own advantages and disadvantages. A quick look at some of these pros and cons can help you in deciding the best and most suitable method of t-shirt printing. The selection of the printing method would ultimately depend on your requirement, the kind of image you want and your budget.

Heat transfer printing is done with the help of heat transfer paper. An image is printed on this paper and then this paper is placed on the t-shirt. A heat press is used for pressing this paper. The image gets bonded to the garment by the application of the heat by the t-shirt heat press. This is an inexpensive method and can be easily used by the home users. This is great way to print t-shirts on a smaller scale and is an ideal method for those who want to start a small business of t-shirt printing. The equipments are easily available and involve low investment.

This method enables you to get complex photographic and multi-colored images and that too in without too much of mess. However there are some limitations of this process. Every time you want to print a t-shirt you need to cut the shape that you want to be printed and remove the part that you do not want on the t-shirt. This takes up a lot of time and the process becomes non-feasible if you need to do the work in bulk.

Digital printing is another method that is used for t-shirt printing. This is printing method which is gaining popularity gradually. For printing the t-shirt, it is stretched on a frame below the ink jet printer head. The printing on the garment is done exactly as it is done on the paper. Inkjet transfer paper is used for printing the same design on large number of garments with ease. This method is good to choose if you want to reproduce certain photographic prints, logos or other multi-colored images.

The biggest disadvantage of this method is that the cost of printing goes high because it consumes lot of time in printing just one garment. In spite of the high cost, the prints fade away sooner. Moreover as this is a new technology there are many practical problems in using the machines and handling them efficiently.

Screen printing is the most traditional way of printing t-shirts. The final prints and colors come up very brightly and last longer when compared to the prints created by other methods. The printing cost remains low and this is a perfect method for mass printing. The disadvantage of this method is that you need to store all the screens if you want to use the designs later. It is a little messy and each color has to be printed separately. It can be very time consuming and cannot be used to create photographic reproductions.



Source by Shawn A Robertson

Public Speaking, Effective Speech, Components of Public Speaking

Public speaking is an impressive art of communication with the audience in a structured and deliberate manner. It goes beyond the boundaries of speaking or talking to a group of individuals. It is an art of articulating your ideas and thoughts in order to persuade others, inspire them, engage them, or entertain them.

There are three main components of public speaking – logical component, mechanical component, and emotional component. A good and effective speech should have a merger of all these three components.

Logical component attributes to the content of your speech that encompasses the truth and facts you deliver along with the structure ad length of your speech. The content or the material of your speech should be engaging, entertaining, as well as inspiring.

Mechanical component caters to your tone of voice and your body movements. When you change the tone of your voice or make any unexpected body movements notice how your audience perceives your speech. This perception will define the success or failure of your speech.

The emotional component attributes to the emotions you deliver during your speech and how the audience feels after your speech. These emotions should be strong enough to directly affect the way audience feel and further convince them to put your words into actions.

Apart from these components there are various factors that influence this art of communication. Some of these factors include your level of confidence, facial expressions, catchy titles, rate of speech, usage of visual aids, and the usage of entertaining or captivating stuff like true stories, real life experiences, jokes, or phrases.

Furthermore, you should very well know the content of your speech so that you can make eye contact with the audience and deliver your message in a lively and convincing manner.

Take a deep breath before you start your speech as this will help you gain control over your nerves, your voice, and your words as well. Keep your mind and heart open and feel relaxed. Eye contact is really important in public speaking as it is the best way to express your emotions and impress the audience. Even if you are nervous appear as if things are normal and there is nothing wrong at your end. Pass a smile when you feel tensed as this will ease your mind and keep you in comfort.

You should also have a good sense of humor. Wherever possible tell funny jokes and lighten the mood of people or tell stories from real life or personal experience to add life and energy to your speech. In all possible ways try to engage the audience till the end of your speech by finding different ways to humanize your speech. Last but not the least, there are situations where you make mistakes but there is nothing to worry. Human make mistakes but what is important is how these mistakes are recovered.

It’s fun, energetic, and great to empower this art of public speaking as it has its own set of benefits and advantages. It helps you increase your self-confidence, increase your motivation power, boost your career graph, and even improve your quality of life.



Source by Jennie Amit Gandhi

The Differences Between Engraved Pens and Imprinted Pens

Custom logo pens are generally available from most leading pen manufacturers and are an effective branding and advertising tool. Personalized pens are also very popular as corporate gifts and at important events such as weddings and reunions. These types of imprinted and engraved pens can carry either a logo or message on the body of the pen, and are available in a wide range of colors, fonts and styles.

There are 2 methods for getting logos, text or artwork on promotional pens: imprinting and engraving. Imprinting, also called screen printing or silk screening uses a stencil to transfer ink directly to the body of the pen. An extremely versatile and relatively inexpensive method, screen printing is sometimes preferred over engraving pens especially because its ability to print on many different types of surfaces and the almost unlimited choice of colors. Since the surface of the item imprinted does not need to be printed with pressure, screen printing is a perfect solution for items that are not flat, including pens and mugs.

Unlike screen printing, laser engraving does not directly apply the ink to the surface. Instead, the engraving is created by beams of light from a laser equipped with a narrowly focused lens allowing for very intricate and precise designs. The result of engraving is a surface that is etched or burned in with a permanent representation of your artwork, logo or text. And since no ink is used, there’s no concern that the artwork will deteriorate over time. Since engraving does not apply any ink, the resulting color of the engraved area is usually the underlying color of the pen. Generally, a metal pen is preferred for laser engraving.

So, is there a preferred method of getting artwork, logos and text on your promotional products? Both imprinting and engraving provide outstanding quality and only differ based on what you’re looking to achieve.

And the great news is that you don’t have to worry about choosing which method. The manufacturers of promotional imprinted and engraved pens and other ad specialty products know which method works best with each of their products, ensuring that you’ll always have the highest quality representation of your logo or message on your promotional pen products.



Source by Brian Lewis

Myers Briggs Personality Type and Political Affiliation

We’ve all come across people who just seem incapable of modifying their perspective based on new data being presented. Most of us still mouth the words that additional education (or indoctrination/propaganda as is often the case) is what is needed since surely this person will turn around if his/her consciousness is sufficiently expanded with additional data backing your perspective. However, all too often deep inside we know that some people are “hopeless”. This conclusion concerning failure of propaganda is reached from all over the political, cultural, and religious spectrum at one point or another. It thus becomes fashionable to outright dismiss “inconvertible” individuals and opposing zealots (on political and religious fringes of any given population) as nuts and crazies.

Personality theory in psychology allows us to better categorize individuals in society without resorting to name calling. Myers-Briggs typology in particular offers a better construct (compared to useless terms like conservative and liberal for example) to predict how an individual will act politically and socially. Myers-Briggs research combined with biology and brain scan techniques also offers us hints at understanding the underlining anatomical basis that predisposes a person to be either a disagreeable radical or a gentle follower.

There’s been little relative popular attempts to scientifically explain why the bulk of the population is always a warzone between the extreme fringes. It’s just assumed that it will always be this way just like there will always be criminals and extremely altruistic self-sacrificing givers. This assumption seems reasonable and obvious but gives rise to two other creeping and unsettling assumptions:

1) The human population is relatively fixed along a bell curve type continuum. Perhaps this is better visually represented by a sphere with a number of spikes extending from it. The moderate population is the bulk of the sphere and the zealous “radical” factions (whose opinions differ dramatically from the statistical average) are the spikes extending from the sphere’s surface (as well as into the interior to some degree which would represent silent sympathizers). It is irrelevant to label the spikes as extreme left, right, etc. All that is important is that a relatively fixed minority of the population (lets say 10-20% range) will be:

a) prone to modes of thought that are tangibly different from majority’s

b) prone to action and lifestyle based on these thoughts

Authors like Friedrich Hayek for instance, observed that in 1920s Germany roughly a million workers swung their support between communists and Nazis based on who was winning. It was noted that the two seemingly opposing ideological parties clashed with one another the most because they were very often competing for recruits in the same psychological pool of young people. Considering how many overexcited Americans called both Bush and Obama the new “Hitler” in recent years, we can easily imagine how an aggressive drooling at the mouth anti-war protestor from a big city could have been an equally excitable protester at a teabag rally if only he was born in a small town and into a different culture.

2) Since the ratio of intensely active people (prone to being perceived by population at large as “wingnuts”or criminals or radicals or genuinely informed and committed activists, etc) to more relaxed apathetic majority seems to be roughly fixed across all societies and globally as a whole, the explanatory basis for such a dynamic can only be biological. Just like there exist (and can further be bred) aggressive dogs and peaceful friendly dogs, there exist aggressive people, natural Buddhist-esque peaceful people, etc. A person who is an aggressive pit bull equivalent (and who wants to impose his views of the world onto others the most) would differ in his relatively extreme ideology depending on what part of the world he was socialized in. Psychiatry has shown us that people are born with different ratios of neurotransmitter production and quantitative as well as qualitative differences in the types of chemicals that affect their mood and cognition. We now understand that people differ a lot more in terms of brain architecture than they differ in terms of things like body type, skin color, fast twitch/slow twitch muscle ratio, etc.

The reason why these assumptions are unsettling is not because there is a degree of fatalism involved (“he will be a radical of one stripe or another no matter what” or “he will be socially lazy, shallow, apathetic, and uninvolved no matter what). Obviously with modern socialization methods and pharmaceutical modification (with psychological genetic and cybernetic modification to follow in near future), an individual can be shaped more than ever before by society and by himself. The assumptions are unsettling because if the broad direction of our views, opinions, and political/cultural/religious affiliations are largely physiologically determined at birth, then societal progress becomes enormously more difficult. Societal progress can be defined here as …

Body Painting – 7 Tips For Cleaning Up Safely and Easily

If you are just getting started in body painting or face painting, one thing you may not have considered is how you are going to get all that paint off again!

While your client may like being a zombie or a tiger at a party, they may not want to go to work looking like one. In any case, they will want to get cleaned up before going to bed or doing pretty much anything else, and you will be expected to know how to remove the paint you put on them safely and painlessly.

Here are 7 quick tips for removing body paint from the skin, and also for staying clean and neat while you are working.

1. Check your paints and packaging.

Always use safe paints that have been made specifically for face painting and body painting. They should explicitly say that is what they are for. Read what they say, either on the label, or on the website, about how to clean them up. Some body paints are made to be cleaned with water; others may use a special kind of remover that you will have to buy. Be sure you are cleaning them off skin using the methods the packaging says to use.

2. Use warm water, sponges, and cloths.

If your body painting or face painting supplies say to use only water, or mild soap and water, then follow those instructions. Use warm water if possible to make cleanup nicer for your clients, and easier paint removal. Sponges (the same kind you use to apply body paints) and soft cloths are the best tools; you can use paper towels, but why not save the environment a bit and use something re-useable? And using the same types of sponges you use to put paint on will give you the best kinds of shapes for removing it as well.

3. Use non-allergenic, natural, safe skin soaps.

If you’ve chosen your face and body paints correctly, you have made sure they are meant for face painting and body painted and are almost guaranteed not to cause an allergic reaction. Be sure your clean up soaps follow the same standards. Natural bases like glycerin and castille are good; try to avoid perfumes, artificial colors, and chemicals. If it says ‘natural’ or ‘hypo-allergenic’ on the label, you may still want to check the ingredients, they may still include scents or high amounts of alcohol-stearates, which can cause sensitive skin to react.

4. Be careful around the eyes.

Watch cleaning around the eyes especially – of course ask your client to close their eyes, and go slowly. Some makeup suppliers (Mehron, for example) carry special cleaners especially made for cleaning around eyes; you may want to try one of those. You could also look at makeup suppliers for smaller tools meant for cleaning around eyes. The skin around the eyes (and of course the eye itself) is more sensitive than the rest of the skin, so what works on the rest of the skin may not equally well around the eyes.

One good trick is to clean the other areas entirely first, and leave the eyes for very last – that way you will not be getting more paint near the eyes once they are clean, and will only have to clean them once. That way you can avoid repetitive cleaning (and irritation) of the eye area – as well as extra work on your part.

5. Baby Wipes are great, but use the right ones.

Baby wipes are great to have on hand, but remember they were formulated for wiping a very different area of the body than the face. This means they have probably not been tested for facial safety and irritation. I would recommend getting baby wipes that are ‘natural,’ but again, check the ingredients on the back. You want no fragrances if possible, and no dyes. Sometimes you can get them especially for ‘sensitive skin,’ again, read the labels. Then try them on your face to see how they work before using them on others.

6. Protect clothing while painting – and washing up.

Paints made for face painting and body painting should never stain the face, but the same can’t be said for clothing. Even water based body paints can still stain clothing. Keep clothing away from the paint as it is being applied, of course – but you will want to watch it when you are cleaning up as well. Soaking paints with water and washing them off can be a drippy process, and colors are even more likely to get on clothes then than when painting. Consider using covering cloths while you are cleaning, even if you didn’t when painting.

7. And Last But Not Least: Don’t Scrub!

Don’t scrub the skin, even if …

Why Did the Critics Pan Pirates of the Caribbean: Dead Men Tell No Tales?

My daughter does not like to read the reviews before seeing a movie. I appreciate her independent perspective, staying true to her own authentic voice. In the case of case Pirates of the Caribbean: Dead Men Tell No Tales, I believe it was the “right” perspective to take.

Me, I could not help but notice the rotten tomatoes critic rating @ 39% when I clicked on my Flixster app to check out movie times (yep, I’m still using Flixster) I read a few of the reviews but was not influenced. Actually, the reviews got me wondering what the negative reviewers were thinking. In my opinion, the handful of critics that were positive appeared to have a better sense of the movie, and movie-goers (user score was 77-79%).

Jessica and I have a birthday tradition, i.e., my birthday falls around Memorial Day and we like to include the blockbuster-movie-of-the-season in our weekend festivities. This year it was POTC. We loved it. The special effects, emotion-grabbing soundtrack, action-packed scenes, memorable characters, and pirate-inspired humor were exactly what we hoped for and enjoy. Javier Bardem was an awesome addition. What not to like?

I wondered if the rotten tomatoes critics missed what we are there to enjoy. The few that I felt got it right, read like this: “Entertainment, ahoy”, “Salazar’s Revenge is a solid couple of hours escapism… “, “Again, the trick to enjoying the film is to expect nothing.”

I go to the movies to be entertained. Maybe not to escape, but time to be FULLY PRESENT – and fully immersed in all of my SENSES. (As a YINpreneur, I seek opportunities to do and be both) For me, these types of movies are the best reason to pay the exorbitant prices now being asked ($16.25 regular $20.25 3D). At those prices, I start with the thought, will my experience be enhanced by a big screen and surround sound, or will it be just as enjoyable on my home-based flat screen TV and Bose speakers? For us, Pirates of the Caribbean satisfied the big screen, sensuous ride.

In short, I cannot help but wonder if our expectations and extreme judgment are causing us to miss the true meaning or joy of this or other activities? Of our life? Are we better off if we abandon our critic (in or outside our minds), come fully present and allow ourselves to be moved, informed and entertained?



Source by Karen McMillan

Review of the Epson Stylus Pro 7890 and Stylus Pro 9890 Wide Format Inkjet Printers

This article will review the Epson Stylus Pro 7890 and Stylus Pro 9890 wide format inkjet printers. These printers were announced in the fall of 2010 and started shipping to customers in December of 2010.

The Epson Stylus Pro 7890 and Stylus Pro 9890 are high quality wide format photographic and fine art printers. They meet and exceed the demanding requirements of photographers and fine art print makers.

The main difference between the two printers is the size of the printer itself and the maximum width that it will print. The 7890 allows users to print up to widths of 24″ while the 9890 allows users to print images up to 44″ in width.

Print head technology

Both printers use a MicroPiezo TFP print head that produces a variable drop size, the smallest of which is 3.5 picoliters. These printers have the capability of printing images at a resolution as low as 360×360 dpi and as high as 2880×1440 dpi. Most users will typically print photographic quality images at 1440×1440 dpi or 1440×720 dpi. This tends to be the happy medium between print quality and print speed.

Compatible operating systems and connectivity

The Epson Stylus Pro 7890 and Stylus Pro 9890 will both run on a Mac or a PC. The supported operating systems for Macintosh are Leopard 10.5.8 or higher. For a PC, users need to be using Windows XP, Windows Vista, or Windows 7.

Both printers come capable of being connected through a 10/100Base-T Ethernet port or a hi-speed USB 2.0. Both are extremely reliable and stable ways of connecting the printer. For those businesses where multiple users will be printing or if the printer can’t be situated close to the host computer, the Ethernet connection is a great option. For those users connecting via USB, a cable of no longer than 10 feet is recommended to avoid connectivity issues.

Supported roll paper sizes

The Stylus Pro 7890 and Stylus Pro 9890 allow users to print borderless images. The roll sizes that can be used are 10″, 13″, 16″, 17″ and 24″ wide for both printers. The 9890 also allows users to print borderless images on 36″ and 44″ wide roll media.

Both printers allow users to print to roll paper or to manually feed a single sheet. While feeding single sheets can be time-consuming, some users prefer this method to eliminate the curl that is associated with printing to roll paper. However, many users that print to roll paper will simply “reverse-roll” a printed image to eliminate the curl in the paper.

Ink and switching between Photo Black and Matte Black

The ink used in the Stylus Pro 7890 and Stylus Pro 9890 is the Epson UltraChrome K3 with Vivid Magenta Ink Technology. These inks are offered in three sizes – 150 ml, 350 ml, and 700 ml. While there are nine inks loaded in the printer, eight inks are used at one time. The ninth ink is either a Matte Black or a Photo Black ink. This ink channel can be switched forth depending on the media that the user is printing to. This provides the optimal black ink density on specific types of papers (matte surface or photographic surface). The small drawback to switching black inks is the minimal loss of ink during the black ink change. Users will lose between 1.13 ml and 3.34 ml with each switch. The process for switching ink also takes between 2:00 and 3:00 minutes to complete.

Conclusions

The Epson Stylus Pro 7890 and Stylus Pro 9890 can produce high quality, high-resolution photographic output for businesses that require consistently outstanding results. This printer is suited for color critical fine art reproduction studios and photographic studios printing their own work in-house. The wide array of roll paper sizes and borderless printing options and the ability to switch between black inks should meet any user’s needs.



Source by Sean P McGettigan

The Unreliable Narrator – Analysis of the Story Emergency

The fictional and adventurous story, Emergency, is written by Denis Johnson in the first-person, and unreliable form of narrative. During this stimulating and fictional short story, Dennis Johnson emphasizes the confessional nature as one which lacks credibility. The lack of such credibility comes in the form of: untrustworthiness, incomplete information, and hallucination, which at times stem from the use of drugs, infantile immaturity, lies, deception, mistakes, or even manipulation.

ZZ Packer states in one of her analysis entitled, A Conversation on Writing, “The power of the first-person point of view… is a confessional storytelling voice” (Delbanco184). She continues her analysis by summarizing such narrative as being based on: unreliability, ignorance, personal bias, intentional deception, and even insanity existing in the narration by the unreliable narrator (196). For example, in the fictional story Emergency; Johnson begins with, “I’d been working in the emergency room for about three weeks, I guess” (Creative Writing 272). He continues, “I just started wondering…coronary care…cafeteria…looking for Georgie…he often stole pills from the cabinets” (272). The confessional nature of the first-person “I” is obvious in this unreliable narrative point of view as the story unfolds the relationship with Georgie and the unreliable narrator.

Furthermore, the incomplete nature of the unreliable story teller is associated with symbolic drug use and/or abuse. The narrator states, “…Georgie, the orderly, [is] a pretty good friend of mine; he often stole pills from the cabinets” (272). This example shows the untrustworthiness and self-interest in the unreliable character first-person narrative. The story continues with, “Let me check your pockets, man…I found his stash” (Page 273). Furthermore, the confessional nature in the story indicates, “I stood around…chewing up more of Georgie’s pills. Some tasted the way urine smells, some burned, some tastes like chalk” (Page 274). In this narrative there is a variety of stimulating drug use and abuse. One could state that drug use results in incoherent and incomplete statements from the narrator and cast great doubt on the credibility of the first-person cognitive thinking pattern, which operates in a state of altered consciousness.

Most importantly, the doctors and nurses were unable to figure out a proper treatment plan for Terrence Weber, the patient who walked into the emergency room with a knife in his eye, and alleged that his wife stabbed him in his sleep for looking at the lady sunbathing next door. When Georgie was finished disinfecting the patient, he returned with a hunting knife in his hand.

Apparently, Georgie had removed the knife from Weber’s eye without realizing the impact of his actions. The most the doctor had to say was, “Where did you get that?” Additionally, one nurse said after a short while, “Your shoelace is untied.” This gave Georgie time to put the knife down while tying his shoelace without one clue of what is taking place (Page 275).

Next, the altered state of consciousness based on the unreliable narrator is obvious in this dialogue, “Do you realize it’s going to snow? He was right; a gun blue storm was shaping up. We got out and walked around idiotically…the crispness and tang of everything green stabbing us” (Page 277). The hallucination effects of the pills are obvious in this dialogue. Additionally, while stumbling into a military cemetery, the characters now looking in the sky saw angels descending with huge faces streaked with light and full of pity, which caused Georgie to open his arms and cried, “It’s the drive-in man! The drive-in…They are showing movies in a…blizzard.” Georgie screamed. “I See, I thought it was something else” (Page 278).

Based on the narrative, the setting of the story is in the summer and not winter; however, the dialogue between Georgie and the first-person unreliable narrator shifts to winter based on the analysis of hallucinatory impact from the pills they are eating, which shows a character flaw and an altered state of consciousness from the drugs. Obviously, there is a lack of alignment with reality and the narrator’s mental state of being with nature. The reflecting unreliability in judgment and the dialogue highlighting infantile immaturity in information regarding the present climatically condition, shows the lack of cognitive interpretation and faulty memory-thus unreliable unfolds!

Based on this narrative, one must beg the question, “What story Wilson’s wife will receive form the unreliable narrator, regarding her husband’s treatment in the Intensive Care Unit?”



Source by Joseph Spence, Sr.